This time last month I had the good fortune to venture back up to London for Nine Worlds Geekfest 2015. I’m unsure how I first heard of this event… possibly via word-of-mouth? Now in its 3rd year, I’ve been intrigued by its vastly pan-geeky melting-pot of content, commitment to minimising barriers to enjoyment for people due to age, gender, orientation, race and so on, and slick online presence. Continue reading Costumes and cosplayers from Nine Worlds Geekfest 2015
A couple of weeks ago I enjoyed an afternoon of meeting new and familiar faces and engaging with some (optional) drawing challenges in a friendly central London pub. I’d heard of the event via Twitter, eventually sourcing the chatter down to the @Art_Blitz Twitter account, through whom I registered (as there were limited spaces!)
I found it refreshing to draw in the fun, social atmosphere, and it reminded me of the benefits and unwinding that forgetting your worries and simply doodling can do for an artist.
Art as play. Creative oxygen.
The Witchblade image has been coloured just today, using Manga Studio 5. I used a mix of the default tools, and some additional brushes by FRENDEN. Pleased to get nice results with tools I’m just getting acquainted with! Besides colours on that image, I’ve used a new Gillott 170 dip pen nib, the familiar stainless Japanese G-pen, and aquarelle pencils for colours on the ginger-haired boy.
Many thanks to Dean and Dave for organising the event. :)
An anthology of London-based comics creators’ stories
For much of this year I’ve collaborated on organising events and workshops with the WIP Comics meetup group with some other plucky volunteers. September marked the achievement of a real milestone: Publishing our group’s anthology, Ye Olde Axe. I had felt that participating in the organisation of workshops and feedback sessions through March to August was plenty, yet while I declined to have a direct hand in the process that it’s taken for printed books to materialise, I’m really proud of the group’s accomplishments and applaud intrepid editor Matthew Duncan for steering it through.
The unusual unifying factor across the diverse contributions is a building in Shoreditch, the anthlogy’s namesake Axe. I get a little creep of a horror vibe from many of the stories, though genres span comedy, parody, action, fantasy, gag strips, slice-of-life and more. There are some real gems inside, my favourite is best described as Cthulhu meets Monty Python!
I hear that some copies are wending their way over to Gosh! Comics on Berwick Street, so please have a look if you get a chance!
Cover artwork by the talented Tim Hassan.
Back in April and May I was working on these illustrations for posters for very different functions. One was another Surrey Christians in Science event, for which I chose the image of the hand of God from Michaelangelo’s Sistine Chapel dissolving into strands of DNA. The other was the map for the venue of Game Camp 5, a regular gaming UNconference based in London! For this my inspiration was the board of HeroQuest and schlocky dungeon paraphernalia like my own “Watcher in the Deep” on security!
While I was doing the “Hand of God” image I was thinking about illustration and the communication angle to it. All artists are communicators, but illustration has a certain expectation that it should have conveying a message at its core. I like projects that get me mining my knowledge for inspiration as well as using my eyes and imagination.
Note: The Keyworth Dungeon Map is 1.31MB so that the detail can be seen.
[Poster illustration from GameCamp 5 removed because the GameCamp 6 map, which you can see in the Gallery, is much nicer. ~24/4/2014]
Published in Wu Wei, an anthology of spiritual comics edited by Mike Medaglia, August 2013. “[A] beautifully illustrated meditative 4-pager” ~ Andy Oliver, Broken Frontier [Link].
Click the top-left image to begin reading: